This 2 day masterclass focussing on the artists’ book.
Through discussion and demonstration, we will examine the relationship between the artists concepts and the artists’ book.
This masterclass and workshop is ideally suited to experienced printmakers who would like to extend their practice with relief prints and artists’ books under the guidance of award winning artist Dianne Fogwell.
Learn the basics of etching. Produce an image on a zinc plate, explore aquatints, wax pencil and colour. Come along with an idea or a simple drawing and explore the process of producing a small edition. Suitable for all levels.
Make Cyanotype prints and extend them further with toning techniques.
Explore and learn the use of photopolymer printing plates in combination with digital photography to create Photogravure etchings.
Learn how to achieve rich tone, texture and/or very strong colour applying carborundum grit and PVA glue on an acetate plate. Drypoint lines can be combined with the carborundum grit. Dry point is the most direct form of intaglio printing, where a sharp point is used to scratch a mark directly into a metal, perspex or (in our case) acetate plate.
Are you often frustrated trying to obtain precise colours in your art work?
This one day workshop will teach you how to analyse and refine your colour skills and awareness .
You will make a colour swatch book on beautiful Arches paper, as a reference to have on hand in your studio.
Includes inspiration from nature.
Learn the basics of traditional plate lithography, while looking at creating immediate and automatic responses to the surrounding landscape.
Explore the jigsaw method of cutting out shapes from acetate and layering using both drypoint and carborundum
A Master Class for those that want to explore the potential of image to take on a new life in the inky world of printmaking where photographic images and transfers are combined with inks in the form of monoprints, stencils, and other layering techniques
Explore and learn the use of photopolymer printing plates in combination with digital photography to create Photogravure etchings. This is a low-toxic approach without the use of solvents, or acids.
Two Day Workshop - Where painting meets printmaking, the monotype offers the most flexible and creative way to make unique piece prints.
Are you often frustrated trying to obtain precise colours in your art work?
This one day workshop will teach you how to analyse and refine your colour skills and awareness .
You will make a colour swatch book on beautiful Arches paper, as a reference to have on hand in your studio.
Includes inspiration from nature and natural pigments.
If you’ve had a go at Mokulito printmaking, here is your opportunity to extend your skills and refine your practice.
Mokulito utilises and adapts the principles of lithography allowing you to print from a wooden surface rather than a stone or aluminium plate. Mokulito enables to blend pure litho marks and sharp woodcut marks on the same piece of plywood using a wide range of drawing materials directly on the surface of the wood.
This masterclass and workshop will embrace the versatility and expressiveness of the relief process.
This masterclass and workshop will embrace the versatility and expressiveness of the relief process.
A Master Class for those that want to take their printmaking to the next level. Combine plates and colours with your copper etchings.
One Day workshop. Add colours sourced from your original colour image to your photogravure print with an pigmented inkjet Chine-collé layer.
One Day workshop exploring the various techniques of a sperate thin paper layer – either over the full plate or in specific areas. The Chine Colle method is used to add colour and texture by means of paper layering.
Two Day Workshop - Where painting meets printmaking, the monotype offers the most flexible and creative way to make unique piece prints.
Organise your Digital Images on your laptop using Adobe Lightroom
Are you often frustrated trying to obtain precise colours in your art work?
This one day workshop will teach you how to analyse and refine your colour skills and awareness .
You will make a colour swatch book on beautiful Arches paper, as a reference to have on hand in your studio.
Includes inspiration from nature and natural pigments.
Make Cyanotype prints and extend them further with toning techniques.
Explore and learn the use of photopolymer printing plates in combination with digital photography to create Photogravure etchings. This is a completely non-toxic approach without the use of solvents, or acids.
Learn the basics of etching. Produce an image on a zinc plate, explore aquatints, wax pencil and colour. Come along with an idea or a simple drawing and explore the process of producing a small edition. Suitable for all levels
Two Day Workshop - Where painting meets printmaking, the monotype offers the most flexible and creative way to make unique piece prints.
All Images © 2002 – 2024 Estate of George Baldessin, or Silvi Glattauer, unless otherwise stated.
