
Mastering Carborundum & Drypoint : A Comprehensive Two-Day Workshop with Barbie Kjar
Join Barbie Kjar in this weekend workshop to unravel the secrets of Carborundum printmaking using versatile acetate plates.
Join Barbie Kjar in this weekend workshop to unravel the secrets of Carborundum printmaking using versatile acetate plates.
This is a three part workshop which includes two online sessions and a full weekend of printing.
This workshop will help you develop a significant body of work with advanced photogravure techniques that focus on larger scale, multi-plate prints.
This five day workshop explores the Collagraph process, plus a suite of drawing and stencilling techniques to produce distinctive printed paintings on paper.
Explore and produce stunning zinc plate etchings under the expert guidance of Robert Hails. This workshop is suitable for both beginners and experienced printmakers wanting to explore a new technique or extend their practice.
Learn how to make and print photopolymer plates, in combination with digital photography, to create photogravure etchings.
Learn the art of paste papers, a vibrant decorative technique used in fine bookbinding, before crafting your own three-piece case-bound book with a cloth spine and paper-covered boards.
Through discussion and demonstration we will examine the relationship between the artist’s concepts and the possibilities that the artist book format offers to express your ideas. This is a four day masterclass.
Learn the skills to make a solander box, also known as a clamshell or drop-spine box.
An excellent workshop for bookbinders, artist book makers and printmakers who require an archival portfolio box.
Extend your relief printmaking skills by cutting and reassembling lino blocks in this playful workshop. Utilise old and new blocks, as well as stencils, transform you image with multiple layers and variations.
Dive into the world of dark field monotypes in this comprehensive two-day workshop! Dark field monoprinting is a printmaking method that focuses on creating images by reductively controlling the ‘light’ on an inked up plate. Images are made by removing sections of ink by either wiping back or by using a variety of drawing tools to create various marks & textures.
All Images © 2002 – 2025 Estate of George Baldessin, or Silvi Glattauer, unless otherwise stated.