Stephanie Mortlock – Lyrebird Nest

$450.00
Edition:


Stephanie Mortlock
Lyrebird Nest, 2026

Etching with soft and hard ground
Edition of 10 + A/P
Image Size 20×29.5cm / Paper Size 46×38cm

Artist Statement
Lyrebird Nest depicts a lyrebird’s nest that I witnessed on Wurundjeri Country, Kinglake. I had heard how rare it is to see one. I stood in the creek and gazed into the soft centre. An entrancing structure, built at the edge of a creek from leaves and sticks, framed with fishbone ferns. I created a detailed drawing of the scene which informed my plate. The fine details and soft textures of the nest are captured with soft and hard ground etching. I was fortunate to learn these techniques through my Jane Fitzherbert Memorial Residency at Baldessin Studio this year. 

Stephanie Mortlock (b.1998) is an emerging visual artist working on unceded Wurundjeri Country in North Warrandyte. Her art practice conveys a deep and long-held connection to the environmental systems in her surroundings. Working primarily with pencil, her recent work depicts rare native orchids, examining their unique evolutionary relationships and the conservation efforts being undertaken to protect them. She is currently undertaking the Jane Fitzherbert Memorial Residency at Baldessin Studio exploring etching techniques to expand on her depictions of local bushland and memories of nature held as personally sacred. 

@leaflovinart
wwww.stephaniemortlock.com


Stephanie Mortlock
Lyrebird Nest, 2026

Etching with soft and hard ground
Edition of 10 + A/P
Image Size 20×29.5cm / Paper Size 46×38cm

Artist Statement
Lyrebird Nest depicts a lyrebird’s nest that I witnessed on Wurundjeri Country, Kinglake. I had heard how rare it is to see one. I stood in the creek and gazed into the soft centre. An entrancing structure, built at the edge of a creek from leaves and sticks, framed with fishbone ferns. I created a detailed drawing of the scene which informed my plate. The fine details and soft textures of the nest are captured with soft and hard ground etching. I was fortunate to learn these techniques through my Jane Fitzherbert Memorial Residency at Baldessin Studio this year. 

Stephanie Mortlock (b.1998) is an emerging visual artist working on unceded Wurundjeri Country in North Warrandyte. Her art practice conveys a deep and long-held connection to the environmental systems in her surroundings. Working primarily with pencil, her recent work depicts rare native orchids, examining their unique evolutionary relationships and the conservation efforts being undertaken to protect them. She is currently undertaking the Jane Fitzherbert Memorial Residency at Baldessin Studio exploring etching techniques to expand on her depictions of local bushland and memories of nature held as personally sacred. 

@leaflovinart
wwww.stephaniemortlock.com

To mark its 25th year, Baldessin Studio has embarked on a very special project—inviting 53 members of its community to create an editionable print for the Baldessin Studio 25th Anniversary Print Collection. Launching at Sydney Contemporary, the collection is a celebration of the incredible community of artists who engage in the life of the studio, as well as a fundraiser to ensure the organisation can continue its work and sustain its vision, “to inspire and enable innovative printmaking whilst upholding the Baldessin ethic of fostering creativity in all forms”.

Launch / Sydney Contemporary, Sydney, Sept 3-6th 2026 Exhibition / Australian Galleries, Melbourne, Nov 10–8th 2026