Dianna Wells – Intertidal Kosmos

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Dianna Wells
Intertidal Kosmos, 2026

Photopolymer photogravure with à la poupée
Edition of 10 + 1 A/P
Image Size 46×38cm / Paper Size 46×38cm

Artist Statement
A small seaweed has attached itself to the digestive structure within a damaged sea urchin test (shell). Aristotle described sea urchins in his History of Animals as Aristotle’s lantern. Collected from the intertidal zone, the liminal space where lifeforms endure shifts in seawater, temperature and air at low tide—this lantern emits theharmonious interdependence of lifeforms in an intertidal kosmos. Wells was the recipient of the State LibraryVictoria Amor Residency at Baldessin Studio (2025) where she produced a series of photogravure prints exploring human-made changes to intertidal reefs in Port Phillip Bay due to global warming and rising sea temperatures.

Wells was the recipient of the State Library Victoria Amor Residency at Baldessin Studio (2025) where she produced a series of photogravure prints exploring human-made changes to intertidal reefs in Port Phillip Bay due to global warming and rising sea temperatures.

Dianna Wells (b.1961) is a Naarm/Melbourne based artist engaging with ideas about landscape, botany and environmental change - with photography and photogravure. Wells began her career as a printmaker after studying at the Canberra School of Art, before completing a Master of Fine Art at Monash University in 2013. Her ongoing experimentation with the photographic medium stems from her background in both printmaking and design.

@dianna_wells
diannawells.com.au


Dianna Wells
Intertidal Kosmos, 2026

Photopolymer photogravure with à la poupée
Edition of 10 + 1 A/P
Image Size 46×38cm / Paper Size 46×38cm

Artist Statement
A small seaweed has attached itself to the digestive structure within a damaged sea urchin test (shell). Aristotle described sea urchins in his History of Animals as Aristotle’s lantern. Collected from the intertidal zone, the liminal space where lifeforms endure shifts in seawater, temperature and air at low tide—this lantern emits theharmonious interdependence of lifeforms in an intertidal kosmos. Wells was the recipient of the State LibraryVictoria Amor Residency at Baldessin Studio (2025) where she produced a series of photogravure prints exploring human-made changes to intertidal reefs in Port Phillip Bay due to global warming and rising sea temperatures.

Wells was the recipient of the State Library Victoria Amor Residency at Baldessin Studio (2025) where she produced a series of photogravure prints exploring human-made changes to intertidal reefs in Port Phillip Bay due to global warming and rising sea temperatures.

Dianna Wells (b.1961) is a Naarm/Melbourne based artist engaging with ideas about landscape, botany and environmental change - with photography and photogravure. Wells began her career as a printmaker after studying at the Canberra School of Art, before completing a Master of Fine Art at Monash University in 2013. Her ongoing experimentation with the photographic medium stems from her background in both printmaking and design.

@dianna_wells
diannawells.com.au

To mark its 25th year, Baldessin Studio has embarked on a very special project—inviting 53 members of its community to create an editionable print for the Baldessin Studio 25th Anniversary Print Collection. Launching at Sydney Contemporary, the collection is a celebration of the incredible community of artists who engage in the life of the studio, as well as a fundraiser to ensure the organisation can continue its work and sustain its vision, “to inspire and enable innovative printmaking whilst upholding the Baldessin ethic of fostering creativity in all forms”.

Launch / Sydney Contemporary, Sydney, Sept 3-6th 2026 Exhibition / Australian Galleries, Melbourne, Nov 10–8th 2026